jazzfish: a whole bunch of the aliens from Toy Story (Aliens)
I am not sure who it was who got me started on The Strange Case of the Starship Iris ... ah, of course, it was [personal profile] skygiants, with this review. Which review I can enthusiastically second all of except that my personal favourite character is not the laid-back trans linguist but the exceedingly uptight and stressed-out sharpshooter who doesn't show up until fairly late. It is TOTALLY IRRELEVANT that she sounds a lot like Peridot from Steven Universe, which makes me think of Sarah.

Anyway, while I adored the framing device and the way it slowly becomes central to the plot of season 1, and am enjoying S2 while not feeling quite as compelled about it (good thing too, since I am now almost caught up and the season's not over), I am so far most entranced by episode 2.05.25, "Cultural Enrichment," a filler ep devoted to four of the cast watching/rewatching an episode of their favourite alien soap opera, and frequently pausing to discuss translation issues and weird cultural things. It's just fun, is all. Turns out to be a way I enjoy watching/analysing things, and it's neat to see other people doing that too.



In other news, I got my second shot on Saturday. This one was about as bad as a flu shot, maybe worse: I spent much of Sunday napping or dozing because doing anything at all was Just Too Much. But at least that's done, and maybe the Gathering etc will happen after all.

At this point I feel like I've plateaued, hard, on viola. It's possible that a round of actual lessons would help but I also may just be at the limit of my ability. Which is okay; I can keep up well enough with the fiddle group, and generally not embarrass myself too badly when other people are listening. But it does mean that I might be better served looking in another direction, musically.

Early last month I sold my bass and giant amp, so at least I won't have to move them again. Then I spent a week or two regretting that and bought a different bass when I was down in Vancouver a couple weekends ago. It's a 'short-scale,' which means it's closer to normal-human scale and I don't have to distort my left hand quite so far to play it, and it feels like my hand fits better around the neck in general. Will see whether I go anywhere with it.

Earlier today I had actual Inspiration for a story I want to write. I do not think I am at all the right person to write it but I don't think anyone else has bothered to, so maybe I will.

I dunno. May seems to have been a pretty bad month for me, for various reasons. Hoping the summer can turn that around.

MAG200

Apr. 3rd, 2021 04:13 pm
jazzfish: Cassette tape with "statement begins" and "statement ends" around it (Statement)
The thing about TMA season 5 is... okay, so, the first four seasons of TMA generally follow a pattern of "(nominally) standalone scary story with framing content." Sometimes, particularly in the season finales, the framing content and the scary story are one and the same, but that just serves to emphasise the framing content.

The scary-stories in S5 are fundamentally different, in ways that fit perfectly with the framing content. The thing about S5 is that the way the stories were presented actually disturbed me several times. Like, for most of the first four seasons my reactions ranged from "neat!" to "pleasantly creepy" with genuine tension a few times (especially in the Unknowing sequence at the end of S3). And then beginning with "Hello, Jon" in the S4 finale and on through, mm, probably the second midseason break in S5 when they reach London, the scary stories began to genuinely freak me out.

This is probably worth exploring! Some of it's that they're describing fundamentally hopeless situations, not "what horror is this?" but "here, laid out, is the horror, with no escape." And 'no escape' is a thing that is ... triggering is a strong word for the response but I think it's the right one? It's I think why I had an internal shutdown/breakdown after reading 1984 in eighth grade and why I won't read The Handmaid's Tale.

Anyway, with that kind of response, it was difficult for me to engage well with the framing story, and the framing story is the whole point of S5, especially the last third.

So I don't really have an intense emotional response to the finale, certainly nothing on the scale of 160. It... worked? It ended in I think the only way it could and still be honest to itself, and the final statement did make me quite happy (and drove home the horrific nature of the ending).

I'm quite glad I listened. A+ would experience again. I'm just ... also feeling a bit deflated / let down, I guess.

Statements end, as I believe someone on my flist posted a week or two ago.
jazzfish: Cassette tape with "statement begins" and "statement ends" around it (Statement)
"Hello, Jon."

OH HOLY FUUUUUUCK

I don't think I have ever been so ... activated ... by two words.

I am extremely impressed, on a craft level, how this show has gone seamlessly from "anthology of standalones with slight framing story" through "anthology of standalones with slight-to-moderate framing story and traces of interconnectedness through each story" to "anthology of standalones with deep mythic resonances and connections to the framing story" to "intense framing story around an anthology of nominally standalones."

And VERY interested to see how it all shakes out in the conclusion.

And also unsure whether, when I finish, I'll just start over from the beginning, or dive into Old Gods of Appalachia or some other such thing. Because I am dead certain that a relisten to the whole thing will be absolutely fascinating.


for those of you who still haven’t listened to the Magnus Archives, one of the great things about it is that the writer really avoids using things like sexual violence and ~scary mentally ill people~ and awful racist tropes as fuel for horror, and instead makes very, very effective fuel for fear out of things like not being able to quit your job, one (1) very large pig, teaching an entry-level college class, 19th century british architecture, having a crush on your boss, community center art classes, having to move back in with your parents, package deliveries, men named Michael, reading, a metalhead who refuses to explain himself, going to a concert and the band is really shitty, the overall concept of doors, A Hole Full Of Meat, and poetry
--from tumblr via [personal profile] rydra_wong
jazzfish: Cassette tape with "statement begins" and "statement ends" around it (Statement)
[personal profile] rydra_wong has been raving about the podcast The Magnus Archives for, oh, awhile now. I've avoided it because my experience with audiobooks has been mostly mildly negative: I have trouble processing people talking at me. I blank out for five or ten seconds and miss bits.

But I do alright with radio plays. They're generally not something that I'd seek out, but something about, I don't know, multiple voices? The pacing of the story, being written for audio instead of for print? Sound effects? Whatever it is, it takes some effort but I can generally handle audio dramatizations alright. I still miss things but it's less likely to be critical to my enjoyment.

I drove down to Vancouver for last week. I started off listening to Serial Box's sci-fi police procedural Ninth Step Station, because I know a couple of the authors... but given current US events I really couldn't deal with a police procedural. So when I stopped in Williams Lake for gas, I poked at my phone for a bit and eventually loaded up The Magnus Archives.

I listened to it the rest of the way down. And at random times during the week, and all the way back up.

It's really good.

It's a horror anthology. The general conceit: Jonathan Sims is organizing the archives of the Magnus Institute, a task that involves recording statements that people have made about their encounters with the supernatural and attempting to verify those statements. Each episode is mostly one person's story, and at the end Jonathan comments (usually quite skeptically) on any corroborating information the Institute is able to find. In general, episodes are standalone stories: as the series goes on a number of linking threads start to develop. There's a larger plot involving the Institute, and I believe each season (there are/will be five all told) has its own arc as well.

(Relatedly, it turns out that apparently I like horror, at least the more cerebral and unsettling kind.)

I've just finished listening to episode 61 over dinner. Most of the episode's an enjoyable callback to / continuation of one of my favourite early episodes. Then at the end it suddenly veers off into a different branch of the mythos, in a way that I was entirely not expecting. Wow.

I am, I think, having more fun with this than I have with any media in a very long time. I'm deeply curious as to where it's going.

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Adventures in Mamboland

"Jazz Fish, a saxophone playing wanderer, finds himself in Mamboland at a critical phase in his life." --Howie Green, on his book Jazz Fish Zen

Yeah. That sounds about right.

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