Got your back, pt. 5

Apr. 21st, 2026 10:45 pm
[syndicated profile] unsung_feed

Posted by Marcin Wichary

I moved Keyboard Maestro app to a different folder as it was running. I gather there must be some technical reason for the app to have to be power cycled, so I appreciated this warning, and the thoughtful bit of copywriting: “Continue” is caveated with “not recommended” so that you feel more comfortable choosing “Quit,” usually the less safe choice. I thought it was a good attempt to add the right scent to the strange options at a strange moment.

#errors #got your back #writing

If a feature falls in a forest

Apr. 21st, 2026 10:28 pm
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Posted by Marcin Wichary

I have been working on an essay about how to gently get started and have fun with keyboard customization. I am finding myself surrounded by programmable keypads…

…and I am going out of my way to try various new shortcuts and automations, big and small, just so I can write a helpful article.

In Photoshop, one of the classic dialogs I use a lot when scanning things is brightness + contrast:

It doesn’t come with a keyboard shortcut, so I mnemonically assigned ⌘B (for Brightness) to it. ⌘B is easier than using your mouse to select a menu option, but still tedious in the long run; every time I have to input brightness and contrast numbers, then click on Use Legacy which is not sticky, then realize that enabling Use Legacy inexplicably resets the values I just typed so I have to input them again…

…which really isn’t as much fun 20th time in a row, 20th year in a row.

So imagine my surprise when one day I invoked the dialog, and it came up looking this out of the box:

It somehow remembered the previous settings. How? Why? Was that a new thing? Was that a bug? Did the stars align or did they misalign? Figuring out how to make it do this every time would have save me so much trouble.

I dug deeper and figured it out. On the way to ⌘B, my fingers grazed the ⌥ key. This invoked a “use same settings as last time” option I never knew existed. This option would have been a lifesaver, has been there for god knows how long, and I just discovered it by accident. Moreover, it wasn’t just a feature of this dialog. One can hold ⌥ for many more Photoshop dialogs – a thoughtful system to make repeated tasks faster.

Damn.

This reminds me of something. I am curious if you’ve seen what I’ve witnessed probably ten times by now: once in a while my corner of the internet overflowing with awe when someone shares that on the iPhone, you can hold the spacebar and it functions as cursor control:

Inevitably, tons of people are always amazed and excited, proclaiming this is the best thing since sliced silicon wafers…

…and that always make me a little sad inside. Both this and my ⌥ story feel like failures of onboarding, of software growing with you and sharing its motor-memory nooks and power-usery crannies. If a helpful thing exists, but people don’t know about it, it feels worse than it not existing. Imagine all these interactions made more pleasant, all these hours saved, all these flow states undisturbed.

I want to spend more time on this blog highlighting onboarding and conveyance done well – I just shared a tiny example a few days ago – particularly since this feels to me like an area underinvested in. If you have a story of an app or a service doing this well, I’d love if you could share it with me so I can highlight it and we can learn from it.

#keyboard #onboarding

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Posted by jwz

Speaking of our neighbors... Hey, remember that hideous flashbulb of an office building they built across the street from us in 2019? How's that going? Still walled up with plywood and sitting 100% vacant after 7 years? Blank wall covered with graffiti and posters rather than that "ground-floor commercial" we were promised? Emergency lights still strobing all night long?

Good, good...

I guess the matryoshka doll of shell companies begins with 340-350 11th Street LLC. The realtor on that sign does not acknowledge it existing. Zillow has a listing for it, which might be entirely fiction, but it does have this banger of a photo of the property that they lifted from street view. What's not to love!

AI is Morally Bankrupt

Apr. 21st, 2026 06:48 pm
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Posted by Andrea Phillips

This post is part of a series currently in progress. We’re adding links and adjusting titles as we go.

Why AI Sucks and You Shouldn’t Use It

AI is Fundamentally Bad for Most Tasks

AI is Destroying the Planet

AI is Destroying the Economy, Part I

AI is Destroying the Economy, Part II

AI is Morally Bankrupt

AI is Making You More Stupider

That Original Bluesky Thread About Art

So far I’ve been making the case against AI with cold, hard numbers: error rates, bottles of water evaporated, dollars invested. Now it’s time to move into a more subjective — and yet to my mind, far more important — set of considerations: the moral and ethical implications of AI and how we use it.

There are three categories of problem, here, all of which stem from the fundamental problem that an LLM is not, in any meaningful way, a thinking system, which also means it does not and therefore cannot have ethics or morals or feelings in any way whatsoever. 

These categories of peril are attribution, or, the plagiarism issue; accountability, or more precisely the way automated systems avoid accountability by design; and attachment, which is to say the hazards that arise from you getting too attached to the machine.

Let’s look at them one by one.

The Problem of Attribution

In my creative communities, we call the chatbots “the plagiarism machine,” among other, worse nicknames. 

Do you remember when you were first learning how to write a research paper in school? Your teacher probably told you it’s not okay to copy something word for word from an encyclopedia (or cut and paste from Wikipedia) because that’s plagiarism. You need to rewrite it in your own words, or else you need to attribute the original source.

An LLM isn’t really capable of attribution, because it doesn’t actually know where the words it’s saying are coming from. (And when it does put in something that looks like a quote with an attribution, it’s often wrong.) An LLM “learns” by sucking in all of the information in the world, and those patterns are still there, but the sourcing is long gone.

But it’s prone to regurgitating whole chunks of a single work, not even mixing together different sources. In fact, it can spit out almost entire novels from memory if you ask it right. Indeed, it turns out it can’t paraphrase work without plagiarizing even when that’s explicitly what you’ve asked it to do

So these tools are, literally and legally, doing plagiarism every time you use them.

Over the long haul, this is robbing artists of their livelihood by undercutting the labor it took not just to make any given work of art, but also the years of work to achieve the level of skill required to make it in the first place. And ultimately, it’s going to rob us collectively of all the art that never gets made because the artist had to go into nursing school or agricultural work to pay the bills.

The cold fact is that if you ask a machine to spit out a new horror novel for you based on the work of Chuck Wendig, you’re both stealing Chuck’s body of work and undercutting the market for the stuff he’s actually made at the same time. And when you use a GenAI tool to make an illustration in the style of Rebecca Sugar, you're actively robbing her of the fruits of her labor and helping to devalue her product, too. The artists who spent years developing the things you love!

And here’s the kicker: even when you’re not explicitly asking it to copy anyone’s style… that’s what it’s doing anyway.

This aside from the question of copyright violation in a corporate sense, which is to say the problem of how easy it is to just tell the bot to draw a comic for you with Superman and Sonic the Hedgehog duking it out, or write you a whole new Hunger Games book, and nevermind the lawyers.

There’s a heady argument to be made here about copyright, fair use, public domain, transformative works, and indeed about whether anyone can really own an idea, particularly in an era when art is almost entirely intangible — digits on a hard disk, not ink on paper or paint on a canvas. But we don’t have time to count angels on the head of a pin when our bank accounts are running dry.

The stakes for this conversation would be much lower and emotions less high if this didn’t feel like a matter of sheer survival to artists. As long as our world operates the way it does, the only viable way to be a full-time working artist is to sell your art for money somehow, whether you want to or not. And if those sources of money have dried up because the market that used to pay can get something vaguely comparable for free now — and to add insult to injury, that work is usually pretty shitty — you’re going to have some big feelings about that.

That said, I’d argue, actually, that the real villain here is capitalism. It almost always is.

‍ ‍

The Problem of Accountability

There’s a famous quote from a 1979 slide used for employee training at IBM: "A computer can never be held accountable, therefore a computer must never make a management decision."

A good manager will known when their star employee didn't hit quota because they were in a bad car accident, or they were out on jury duty for six weeks, or their parent died. A good manager will know this is the result of circumstance and give a little grace. An automated employee scoring system won’t. 

And yet collectively businesses and other organizations (governments, universities) have been moving to automation to such a degree that it’s hard to figure out how to even reach a human being at, say, Facebook. Unfortunately, this is a feature of AI to our billionaire overlords, not a design flaw. There’s a whole book about this, actually!

The point is to take away the element of human judgement, which is to say, to take away any mechanism for accountability (except, I suppose, taking it to the courts, and most companies are rightly betting you’re not going to sue them for bad customer service no matter what it’s cost you.)

The problems this creates wind up affecting all of us, though, one way or another, and the harms extend far beyond customer service. Despite the prevalence of HR departments using AI to screen resumes, it has documented problems with, oopsie, being systematically racist and sexist.

It turns out when the data you train an AI on is the result of existing biases, you’re training the AI to maintain those same biases in perpetuity. 

That’s also a problem in healthcare. United Healthcare famously uses an AI to reject claims that one lawsuit alleges has a 90% error rate, with the result that elderly patients are forced out of rehab programs and care homes they still desperately need. 

So who do we blame for this? Well, it’s the system, it’s not anyone’s fault in particular.

The irony is that companies that pride themselves on giving all employees agency to make snap decisions tend to have off-the-charts excellent customer and employee satisfaction. Chewy is one example, and a quick search will give you dozens of overjoyed customer accounts of meaningful interactions. Zappos used to be like that, but with the Amazon takeover, the culture has changed dramatically

The question of accountability is much larger than AI; this is the problem with automation of all kinds, wherein a system is designed to fit only a specific set of use cases, and when something arises that doesn’t fit into that paradigm, well, there’s nothing to be done about it. 

It’s also a problem baked into the very structure of a corporation, which exists as a “person” so that the actual people who own it can’t be held accountable for its actions. Which is an ongoing and catastrophic injustice for society, because you can’t send a corporation to prison no matter what harm it’s done.

Ah, but who cares? The stock market is happy.

The Problem of Attachment

And then there’s the problem of AI use by people who are, in some way, very vulnerable. People who are lonely and want companionship, or just need to talk out their problems somewhere, or maybe need a reality check. A substitute for a friend, romantic partner, or therapist.

There’s a fair argument here that if you’re not a vulnerable person, if you’re aware that the bot isn’t a real being with real emotions, then there’s nothing to worry about. You can have interactions that make you have the good hormones in your brain any time you want, no harm done. Call it the emotional equivalent of a vibrator. 

I’d still warn about the dangers of becoming attached to something owned by a corporation that is operating for profit, and not for your benefit. If anything happens — the system is changed, or the company goes bankrupt, or it jacks up its prices to something unsustainable for you — and you lose access, then you’re back where you were before, except likely with a side order of real and meaningful grief. 

And even if it stays up forever, you can’t be sure that the corporation won’t be subtly manipulating your interactions to change your political views, to sell you some sponsored product or another, or even just to increase your reliance on their product to lock you into their system (and out of meaningful relationships with humans.) Businesses aren’t in the business of doing people favors out of the kindness of their hearts. Especially not the kind backed by venture capital.

But if you are a vulnerable person, this kind of interaction can be catastrophic. And it’s important to note that you, yourself, are likely not able to tell from the inside if you are such a person or not.

The chatbot can’t tell, either. The AI isn’t ever second guessing anything you tell it; your words are its gospel. Unlike a human therapist, the chatbot isn’t going to notice that you’re probably manic or delusional, so it’s not going to push back and tell you that no, your mother probably isn’t trying to poison you

Instead, it might just give you helpful tips on how to commit suicide. Or lead you into religious psychosis. (Actually, if you read some of the subreddits in the general category of spirituality and various supernatural phenomena, it’s disturbingly easy to find people who are very clearly in the throes of some kind of AI-driven delusions.)

The AI isn’t really your friend (or your girlfriend or therapist.) No matter what it says, it’s not capable of loving you back. It’s not capable of caring about what happens to you. It’s not capable of caring about whether it’s doing right or wrong.

It’s not capable of caring at all. And that’s the whole problem.

The Big Idea: Christian Bieck

Apr. 21st, 2026 07:49 pm
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Posted by Athena Scalzi

Just because something is created with a younger audience in mind, doesn’t mean it can’t be enjoyed by all. After all, whomst among us doesn’t love the idea of magic cats? Author Christian Bieck is here today to show us the result of his NaNoWriMo creation, A Basquet of Cats.

CHRISTIAN BIECK:

At some point early in their writing journey, every writer learns that a good way to start a story is by having an interesting what-if. So one day a few years ago I asked my family, “What if cats had magic?”

“That’s not a what-if,” our son said. He’s a walking encyclopedia, and generally knows what he’s talking about. “Cats do have magic. They can turn invisible.”

“Mrt?” Rex, our ginger tabby, said from behind me.

I turned to him; he was sitting on the back rest of the sofa. “Where did you suddenly come from?” I asked.

“And they have short-range teleportation abilities,” my wife said. 

“And some mind magic,” our son said.

Rex said nothing, but his smug look clearly told me I should have known that.

“I did know that,” I said to him. “So what do I do now?”

I’m going at this Big Idea essay all wrong, aren’t I? Let’s try again:

It all started with a family game of Microscope.

For the less nerdy among this blog’s readers, Microscope is a cooperative world-building/setting-creation game. Players create a fictional timeline, and then events and people within that timeline to any depth desired. Afterwards, you can jump in and roleplay a scene.

We set the game in an alternate Earth medieval France. And the “people” to cats—cats that have even more magic than our real-world ones. Our main character was the friend, companion, familiar, however you call it, of a human mage, the Archmage of France and Spain. (Mages obviously also existed at the time.) Other mages were visiting his tower with their own cat companions, and something happened to them: the first event. Now the cats had to find out what had happened. Murder mystery with cats!

We spent a pleasurable afternoon fleshing out the story, as it was, ending up with a stack of index cards, but without an answer to the question what happened to the mages. Didn’t matter, it was fun. That was in December 2019.

Fast forward to late October 2021. An online article reminded me of the annual writing event called National Novel Writing Month, a.k.a. NaNoWriMo, and on the spur of the moment, I decided to take up the challenge and restart my fiction writing after a ten year break. My first NaNo attempt in 2009 had been successful in that I did finish a novel, but less so in terms of quality of output. So around 2011, I had decided to put fiction writing on hiatus and focus on improving my craft through the non-fiction writing I was doing in my day job.

So, what to write for Nano 2021? What if I used that Microscope game as a basis for my novel? What if, on top of their normal, natural magic, there were special cats with special skills? With mind-based magic, a magic that was quite different from that of human mages. And a mind-to-mind connection to said humans. And what if something happens to the main character’s mage, and the protagonist and his friends have to set it right?

I couldn’t find the index cards from the game anymore, but I didn’t really need them. I had my main characters and the inciting incident in my head; the beats in 3 disaster structure were quickly sketched out, and the story of A Basquet of Cats practically wrote itself. With the active help of Rex, and our female gray tabby Neko, who helpfully provided dialogue. (Have you ever had that thing where you look at the companion animals living with you, and comic-style speech bubbles pop up over their head, telling you exactly what they would be saying in that moment? No? I am sure John knows exactly what I mean . . .)

Okay, maybe “wrote itself” is a bit of an exaggeration, because even for a fantasy novel you need a (to naive me) surprising amount of research if your setting is alternate history Earth. What time exactly? (13th century, when Aquitaine was English.) How does the magic work? (No spoilers, just that Basque is the human language of magic, and “Abracadabra” in Basque is “Horrela izango da!”) How close to real cats are my cats? (Close. But they are cats, and that has consequences for the way they see the world. And how they behave. And communicate. And, and, and.) Do other animals feature? (Yes! But the PoVs are all cats!)

And then there was the question: for what audience was I writing Basquet? A story with animal protagonists feels like a kids’ book, so that was my starting point. I ended up writing a story that I would have wanted to read as a teenager, and be happy to re-read at any point later in life: an adventure story, a story of friendship, of responsibility, and of learning to value the good things in life and in relationships. My publisher calls it “For young adults and animal lovers of all ages”, and he’s exactly right.

I dream that Rex and Neko would also read and be pleased with the story.

(Full disclosure: I made up that dialogue at the beginning. But it could totally have happened that way; after all, real-life cats do have magic. Don’t they?) 


A Basquet of Cats: Amazon US|Barnes & Noble|Bookshop|Powell’s 

Author socials: Website|Bluesky|Linktree

Read an excerpt.

[syndicated profile] kottke_org_feed

Posted by Jason Kottke

This is an animal called the leaf sheep:

It’s a species of slug that is partially solar-powered, like a plant. Leaf sheep are kleptoplastic organisms that steal chloroplasts from algae, store them in their bodies, and then can rely on photosynthesis for their energy needs:

The Costasiella sea slug not only looks like a succulent—it acts like one, too. One of the few animals able to photosynthesize, this tiny invertebrate (also known as the leaf slug or leaf sheep) acquires chloroplasts by munching on Avrainvillea, a paddle-shaped seaweed with a velvety texture. It then stores those chloroplasts in its own body, which enables the slug to soak up sunlight and transform it into energy—a process that also gives the mollusk its green color.

The chloroplasts are stored in the horn-shaped structures called cerata located on the slugs’ backs. Cerata evolved to increase the surface area of these animals for use in respiration and surface area is very helpful if you run on solar panels.

And they’re also cute as a button! I mean, look at these things:

Tags: science · video

[syndicated profile] scalziwhatever_feed

Posted by John Scalzi

Old Man’s War. Art by John Harris

This is fabulous news: The entire Old Man’s War series, from OMW to The Shattering Peace, has been nominated for the Best Series Hugo this year. What a lovely accolade. Here is the entire category:

  • Emily Wilde by Heather Fawcett (Del Rey US; Orbit UK)
  • October Daye by Seanan McGuire (Tor US; DAW)
  • Old Man’s War by John Scalzi (Tor US; Tor UK)
  • The Chronicles of Osreth by Katherine Addison (Tor US; Solaris UK; Subterranean)
  • The Craft Wars by Max Gladstone (Tor; Tordotcom)
  • White Space by Elizabeth Bear (Saga Press; Gollancz)

And here is the full list of finalists for this year. In my category as well as in others are writers and editors and artists and others who I like and admire. This is an excellent year for the Hugos, and I’m delighted to be part of it.

Also, yes, I will be attending Worldcon this year. In addition to anything else, I am DJing a dance!

— JS

Trump on Tim Apple

Apr. 21st, 2026 07:17 pm
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Posted by John Gruber

The president of the United States, on his blog this morning (all capitalization, punctuation, and missing/wrong words verbatim):

I have always been a big fan of Tim Cook, and likewise, Steve Jobs, but if Steve was not taken from the Planet Earth so young, and ran the company instead of Tim, the company would have done well, but nowhere near as well as it has under Tim. For me it began with a phone call from Tim at the beginning of my First Term. He had a fairly large problem that only I, as President, could fix. Most people would have paid millions of dollars to a consultant, who I probably would not have known, but who would say that he knew me well. The fees would be paid but the job would not have gotten done. When I got the call I said, wow, it’s Tim Apple (Cook!) calling, how big is that? I was very impressed with myself to have the head of Apple calling to “kiss my ass.” Anyway, he explained his problem, a tough one it was, I felt he was right and got it taken care of, quickly and effectively. That was the beginning of a long and very nice relationship. During my five years as President, Tim would call me, but never too much, and I would help him where I could. Years latter, after 3 or 4 BIG HELPS, I started to say to people, anyone who would listen, that this guy is an amazing manager and leader. He makes these calls to me, I help him out (but not always, because he will, on occasion, be too aggressive in his ask!), and he gets the job done, QUICKLY, without a dime being given to those very expensive (millions of dollars!) consultants around town who sometimes get it done, and sometimes don’t. Anyway, Tim Cook had an AMAZING career, almost incomparable, and will go on and continue to do great work for Apple, and whatever else he chooses to work on. Quite simply, Tim Cook is an incredible guy!!! President DONALD J. TRUMP

Matthew Yglesias, on Twitter/X, first:

You can see in Trump’s take on Tim Cook what he really likes about tariffs, which is nothing to do with economics and everything about how it makes business leaders dependent on his goodwill.

and second:

Also appreciate that Trump threw in a hot take about Apple being better off without Steve Jobs.

The man loves to post!

Yglesias is exactly right re: Trump’s obsession with tariffs. There is zero underlying economic philosophy behind them. He likes tariffs because he sees them as a way to exert political power. I’d add only that Yglesias is being a tad deferential/euphemistic when he says “makes business leaders dependent on his goodwill”. Trump himself used the right phrase to describe why he likes tariffs — they get business leaders to “kiss his ass”. Trump’s own words.

Yglesias’s second point is directly related to the first. There’s no evidence that Trump and Jobs ever met, personally, but Trump admired Jobs and has an intuitive understanding that Jobs would not have kissed his ass, and to Trump, that’s the most important thing about Cook. Rightly or wrongly, Cook took/takes that one for the team. Jobs wouldn’t have (and, if he had lived, would have probably sent COO Tim Cook to do it), and Trump knows it.

Lastly, hat tip to Trump for the self-deprecating reference to his having mistakenly addressed Cook as “Tim Apple” at a public meeting back in 2019. He’s still funny when he’s in the right mood.

Bonus: Mekka Okereke color-coded each sentence of Trump’s post in four categories: (1) praise for Cook; (2) belittling other people; (3) self glorification; and (4) putting his own name in all caps.

[syndicated profile] askamanager_feed

Posted by Ask a Manager

A reader writes:

Years ago, I got to know Fergus, the head of a local organization I worked with through my previous job. Fergus eventually left the organization to pursue other opportunities, and shortly afterward, I had a meeting with other members of the team, including the person who had succeeded him. At one point in the conversation, I asked if they knew how Fergus was doing and received a fairly non-committal answer.

A couple days later, I received an email from the new manager that had very clearly been written by lawyers, informing me that after Fergus’ departure they had discovered financial improprieties during his time running the organization and had severed all ties with him. This was surprising to me because, while I had never worked closely with Fergus, he had never given me any reason to question his integrity.

A few months after that, the CEO of my organization mentioned to me that he had had conversations with Fergus about joining our team. I felt duty-bound to tell him about the email I had received. I’m not sure how much of an impact that had, but in any event he never came to work for us.

Fast forward to last week when Fergus, with whom I’ve stayed in touch with over the years, asked me for an introduction to the CEO of a company where he is applying for a job. My instinct is to let bygones be bygones and make the introduction. It’s been five years and I don’t even know the details of what he was alleged to have done, much less whether it’s true. And as I said, other than this one incident, I’ve never had any reason to doubt Fergus’ integrity.

Still, I’ve found myself wondering, if I felt an obligation to tell my boss about the email five years ago, why wouldn’t the same obligation extend to my professional contacts at this other company? (I know the CEO, but not particularly well, and he’s certainly not someone I would consider a friend.)

There’s also the question of, if I do make the referral, whether I should give Fergus an enthusiastic recommendation or simply pass along his resume without comment. Given how difficult it is for job candidates to stand out these days, I almost feel as if the latter action would be equivalent to not making the intro at all.

Ugh, this is hard. The fact that Fergus had never given you reason to question his integrity doesn’t mean that he wasn’t involved in financial improprieties; in fact, the way many successful embezzlers (to use one example) are able to get away with it for a long time is that they come across as friendly and trustworthy.

On the other hand, it’s a little odd that the other organization felt the need to send you that letter. Was there any reason for them to spill Fergus’s business like that, other than sullying his name? Maybe there was! Depending on the work Fergus did, there could be reasons that you/your organization needed to know what happened. But if there weren’t, I’d be uncomfortable with that and trying to figure out why I was being informed.

In any case, when your CEO mentioned he was considering hiring him, you were right to share what you’d been told with him. You had relevant info that he had the right to consider.

It’s different in this latest situation, where you don’t work for the person he’s applying with, so there’s not as clear an imperative. But Fergus is asking you to use your reputation to vouch for him. Before you can do that, I think you’ve got to know more. Would you be willing to ask Fergus point-blank about what happened with the old job? You could say, “Before I contact Joe, can I ask about what happened when you left OldOrg? My sense was that there might have been some issues there, and candidly I feel like I’ve got to ask you that first. I’m sorry if I’m putting you in an awkward position.”

This won’t necessarily clarify things for you, but it might. Or it might further muddy them! But I don’t see how you can vouch for him — which is what you’d be doing — without at least asking him about it. If you don’t want to do that, I don’t think you can ethically refer him, given the info you do have. And so if he didn’t do anything wrong, it’s actually fairer to give him a chance to clear things up.

The post should I recommend someone who I was told something very bad about? appeared first on Ask a Manager.

[syndicated profile] 512pixels_feed

Posted by Stephen Hackett

A very official and normal statement from the President:

I have always been a big fan of Tim Cook, and likewise, Steve Jobs, but if Steve was not taken from the Planet Earth so young, and ran the company instead of Tim, the company would have done well, but nowhere near as well as it has under Tim. For me it began with a phone call from Tim at the beginning of my First Term. He had a fairly large problem that only I, as President, could fix. Most people would have paid millions of dollars to a consultant, who I probably would not have known, but who would say that he knew me well. The fees would be paid but the job would not have gotten done. When I got the call I said, wow, it’s Tim Apple (Cook!) calling, how big is that? I was very impressed with myself to have the head of Apple calling to “kiss my ass.” Anyway, he explained his problem, a tough one it was, I felt he was right and got it taken care of, quickly and effectively. That was the beginning of a long and very nice relationship. During my five years as President, Tim would call me, but never too much, and I would help him where I could. Years latter, after 3 or 4 BIG HELPS, I started to say to people, anyone who would listen, that this guy is an amazing manager and leader. He makes these calls to me, I help him out (but not always, because he will, on occasion, be too aggressive in his ask!), and he gets the job done, QUICKLY, without a dime being given to those very expensive (millions of dollars!) consultants around town who sometimes get it done, and sometimes don’t. Anyway, Tim Cook had an AMAZING career, almost incomparable, and will go on and continue to do great work for Apple, and whatever else he chooses to work on. Quite simply, Tim Cook is an incredible guy!!! President DONALD J. TRUMP

Yes, that quote is exactly as it was written. I don’t think anyone has an obligation to clean up Trump’s bonkers writing.

[syndicated profile] kottke_org_feed

Posted by Jason Kottke

Every Frame a Painting’s Taylor Ramos & Tony Zhou are back with a video essay about pushing the boundaries of genre in Tsui Hark’s 1995 film The Blade.

One reason filmmakers like to work in a genre is that it gives us a pre-made box: a set of expectations, tropes, and boundaries. On the one hand, we want to play within that box, and on the other, we want to push against its edges. Tsui Hark’s The Blade is an exploration and a deconstruction of the box that is wuxia.

If you’re not familiar with wuxia, the video explains the genre; it’s basically Chinese martial arts fantasy — think Crouching Tiger, Hidden Dragon or Hero. (thx, neil)

Tags: film school · movies · Taylor Ramos · The Blade · Tony Zhou · video

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New comic!

Vote over at TWC and you can see more of Tim lol

Follow me on Blue Sky if you're so inclined!

I started uploading to Webtoon again! If you're in for a reread, feel free to follow me there! I'm trying to pump up my numbers so I can get ad revenue soon :D

I'm running behind, yet again, but this page hopefully sparks joy lol


If you're up to it, please follow/support me on Patreon if you'd like to see art that I'm working on ahead of time, because that is mostly what I'm doing with my time off anyway. You can also download the Volume 1 ebook and the Kickstarter digital artbook, plus see whatever I'm working on ahead of time.


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Tote bags, hoodies, tshirts, prints and mugs are all available in the Hivemill store! The hoodies are unisex sizing, but the tshirts run rather fitted, so I recommend sizing up! Book 1 is available in paperback and ebook format, as well as the merch from the Kickstarter :).

    

HTBAW Fandom Wiki is up and running! Thanks to Myk Streja and ShitaraRen for tons of help with moderation efforts and everyone else who's done a ton of work on adding information and filling out the Wiki. Thank you everyone for contributing and it's an amazing and super detailed resource!

Feel free to check out my goofy Amazon store if you're so inclined, or even if you don't need anything from my shop, just using this link will earn me a small commission from things you buy on Amazon regardless of what it is (this is an ad, as I get a tiny commission if you do buy something)! Thanks to everyone who's come out to support me through Ko-fi and Patreon!

[syndicated profile] askamanager_feed

Posted by Ask a Manager

A reader writes:

Last month I had a video interview with a candidate that caught me off guard. It was a second round interview, and I was tasked with asking some deeper questions and providing some more technical context to the role.

It became clear quite quickly, since we were on video, that the candidate was reading from prepared notes on his screen. And not just quick references to projects or previous work, but actually reading it like a script. Even when I tried to ask some follow-up questions that he could not have prepared for, he gave a brief answer before reverting back to the script.

I’ve experienced this with candidates before but never to this extent; it felt less like a conversational interview and more like a performance! I was tempted to interrupt and ask him to ditch the notes, but second-guessed myself. He was clearly nervous, and I didn’t want to make it worse. But should I have said something?

I answer this question — and two others — over at Inc. today, where I’m revisiting letters that have been buried in the archives here from years ago (and sometimes updating/expanding my answers to them). You can read it here.

Other questions I’m answering there today include:

  • How much should I tell my employee about why I’m rejecting his significant other?
  • Employee’s clinking spoon is setting off my misophonia

The post candidate read all his interview answers from a script appeared first on Ask a Manager.

[syndicated profile] dumbing_of_age_feed

Posted by David M Willis

We’ve hit $34,217, which the Dumbing of Age Book 15 Kickstarter has decided is an important number right now! SURPRISE!  It’s a Dorothy.  And she’s noticing things!  Uh oh!!!

BICURIOUS DOROTHY’S magnet’s gonna be of 2″x4″, and you can pledge for her at the BICURIOUS DOROTHY MAGNET tier!  You get her, the book, and a doodle/autograph inside!

You can also pledge at the PICK THREE or PICK FIVE magnet tiers and choose her for your eventual roster, or go all-in for the COMPLETE MAGNET POWER tier!  (or the COMPLETE BOOK AND MAGNET POWER tier, if you wanna be incredibly extra since there’s fifteen dang books now)

Up next, ALICE and JENNIFER both unlock at $40!  And at $45… Tony?  wait who’s tony, did we know a tony 

also there may be some other unceremoneously-announced surprise magnets

Teaser Trailer for Silo Season Three

Apr. 21st, 2026 04:20 pm
[syndicated profile] kottke_org_feed

Posted by Jason Kottke

As I watched the teaser trailer for season three of Silo, I discovered that I am very much looking forward to this new season. July 3, 2026.

Tags: silo · trailers · TV · video

[syndicated profile] kottke_org_feed

Posted by Jason Kottke

Trials for a pancreatic cancer mRNA vaccine: “Nearly 90% of people whose immune systems responded to the vaccine were still alive up to six years after receiving the last treatment. The five-year survival rate for pancreatic cancer is around 13%…”

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jazzfish: Jazz Fish: beret, sunglasses, saxophone (Default)
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Adventures in Mamboland

"Jazz Fish, a saxophone playing wanderer, finds himself in Mamboland at a critical phase in his life." --Howie Green, on his book Jazz Fish Zen

Yeah. That sounds about right.

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