inking creatively
May. 11th, 2016 08:11 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Over the weekend I helped writer-Steph run the blue-pencil/pitch-practice room at Creative Ink Festival. Mostly we made sure that the newbie writers and the editors were in the right place at the right time to talk to each other, and ran sign-up sheets, and spelled each other when there were panels we wanted to go see.
The panels I got to were alright: on the level of your better small-con panel, I'd say. Nothing earth-shatteringly amazing but worth attending. More usefully, the couple of pieces that I put in for blue-pencilling (aka "reading by someone who doesn't know me") went over very well: one got a small amount of useful feedback, and one got mostly gushing and "no no no, this is clearly not a flash piece, it's the prologue to a novel, and I WANT TO READ IT." Which was pleasantly validating, enough so that I've resubmitted both of them to story markets after a hiatus of *mumble* months.
Our Wednesday writeins may have acquired another member, too. I suspect that I really do need to find a critiqueing group, mostly so that I have some motivation to bloody well finish something, but the writeins are better than nothing.
What are you reading right now?
I haven't technically given up on Mieville's Embassytown, I guess. It's a puzzle-novel: here are the aliens who can't lie, who can't talk to machines but only to empathically-bonded pairs of humans; here is an alien who is learning to lie; here are a bonded-pair of humans who unintentionally(?) drive the aliens mad by speaking to them; what's going on? Turns out I don't like puzzle-novels, at least not when they read as slowly as Embassytown does.
This is my third Mieville, and I've disliked them all for different reasons. (King Rat had a plot that resolved itself by the antagonist self-destructing, which I detest; Un Lun Dun was decent but unmemorable, and I couldn't shake the feeling that it was an attempt to rewrite Neverwhere and give it a plot this time). I should probably stop but I want to try The City & The City first.
What did you just finish reading?
John Christopher's Tripods Trilogy, nearly fifty years old and still decent. I mean, the characters might make it to the level of 'cardboard cutouts' if they strained a bit, the prose is serviceable at best, and in the entire trilogy I think there's a single named woman and maybe three unnamed ones, but they read quickly and have some neat worldbuilding going on. They can stay. I don't know that I'd recommend them to anyone who didn't grow up with them, though.
What do you think you'll read next?
This weekend I picked up both of Katrina Archer's fantasy novels, so I may as well read Untalented.
The panels I got to were alright: on the level of your better small-con panel, I'd say. Nothing earth-shatteringly amazing but worth attending. More usefully, the couple of pieces that I put in for blue-pencilling (aka "reading by someone who doesn't know me") went over very well: one got a small amount of useful feedback, and one got mostly gushing and "no no no, this is clearly not a flash piece, it's the prologue to a novel, and I WANT TO READ IT." Which was pleasantly validating, enough so that I've resubmitted both of them to story markets after a hiatus of *mumble* months.
Our Wednesday writeins may have acquired another member, too. I suspect that I really do need to find a critiqueing group, mostly so that I have some motivation to bloody well finish something, but the writeins are better than nothing.
What are you reading right now?
I haven't technically given up on Mieville's Embassytown, I guess. It's a puzzle-novel: here are the aliens who can't lie, who can't talk to machines but only to empathically-bonded pairs of humans; here is an alien who is learning to lie; here are a bonded-pair of humans who unintentionally(?) drive the aliens mad by speaking to them; what's going on? Turns out I don't like puzzle-novels, at least not when they read as slowly as Embassytown does.
This is my third Mieville, and I've disliked them all for different reasons. (King Rat had a plot that resolved itself by the antagonist self-destructing, which I detest; Un Lun Dun was decent but unmemorable, and I couldn't shake the feeling that it was an attempt to rewrite Neverwhere and give it a plot this time). I should probably stop but I want to try The City & The City first.
What did you just finish reading?
John Christopher's Tripods Trilogy, nearly fifty years old and still decent. I mean, the characters might make it to the level of 'cardboard cutouts' if they strained a bit, the prose is serviceable at best, and in the entire trilogy I think there's a single named woman and maybe three unnamed ones, but they read quickly and have some neat worldbuilding going on. They can stay. I don't know that I'd recommend them to anyone who didn't grow up with them, though.
What do you think you'll read next?
This weekend I picked up both of Katrina Archer's fantasy novels, so I may as well read Untalented.