... running a Technoir game on Thursday nights, for ![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
uilos, semilocal J--, and M-- who physically reminds me a great deal of Andy "Not the President" Jackson. Character creation... I'd like to say it went well, and maybe it did, but it also involved a great deal of flailing about on my part because I'm not all that familiar with the system and I didn't have a Transmission printed up and ready to go. Still, I'm looking forward to the first real session next week.
The whole concept of Transmissions (insta-plot generators) is bloody brilliant and may have been designed expressly for my GMing style. A given Transmission contains a page-long description of the city it's set in and six lists of six items each: contacts, events, objects, factions, locations, and threats. Contacts (NPCs the PCs have some relationship with before the game starts) and threats (smaller than factions; usually 3-6 NPCs who'll be opposing the PCs in some way) are fleshed out and given stat blocks; the others get a sentence or two and maybe some tags (system-specific attributes). I randomly add three of these items to a plot map during character creation and brainstorm connections between them. Then any contacts that the PCs call on for favors during chargen get added to the plot map as well. As the game goes on, the PCs lean on their contacts for information, the contacts get connected to other plot nodes and bring in additional random plot nodes themselves, and I tie it all together in a coherent fashion. The hard part, as usual for me, will be knowing when to stop adding nodes and start moving towards wrapping it all up.
... through the first season of Leverage, which was great fun. The pilot and the two-part season finale are some excellent television and the rest of the season didn't suck either. Good inspiration for a cyberpunk game. Parker and Hardison make me inordinately happy, too, and it's so very nice to have a show where I don't dislike any of the main characters.
... writing a story in the space of two weeks for a contest, in the hope that external deadlines will motivate me more than self-imposed ones and/or this story won't run into whatever it is the Bookwyrms one did. Already got a setting, a plot, and some events that are pulling the story in a completely different direction. Business as usual.
Is there a word or phrase for the kind of TV/movie SF that involves brightly-colored diaphanous robes and buildings made of featureless white stone with glowing crystals and control panels inside? Ray guns and blocky silver robots may be involved as well. It's not exactly atompunk / Raygun Gothic, or maybe it's a narrow subset of that aesthetic.
... making a habit of going on not-dates with women after they've said, for varied and excellent reasons, that they don't want to date me. (In other news, two! and it's not even Valentine's Day yet.) I'm mostly okay with this development. I've very much missed one-on-one conversations with people I trust other thanuilos.
... laughing my fool head off, in a combination of admiration and self-recognition.
... very tired. Goodnight Gracie.
uilos, semilocal J--, and M-- who physically reminds me a great deal of Andy "Not the President" Jackson. Character creation... I'd like to say it went well, and maybe it did, but it also involved a great deal of flailing about on my part because I'm not all that familiar with the system and I didn't have a Transmission printed up and ready to go. Still, I'm looking forward to the first real session next week.The whole concept of Transmissions (insta-plot generators) is bloody brilliant and may have been designed expressly for my GMing style. A given Transmission contains a page-long description of the city it's set in and six lists of six items each: contacts, events, objects, factions, locations, and threats. Contacts (NPCs the PCs have some relationship with before the game starts) and threats (smaller than factions; usually 3-6 NPCs who'll be opposing the PCs in some way) are fleshed out and given stat blocks; the others get a sentence or two and maybe some tags (system-specific attributes). I randomly add three of these items to a plot map during character creation and brainstorm connections between them. Then any contacts that the PCs call on for favors during chargen get added to the plot map as well. As the game goes on, the PCs lean on their contacts for information, the contacts get connected to other plot nodes and bring in additional random plot nodes themselves, and I tie it all together in a coherent fashion. The hard part, as usual for me, will be knowing when to stop adding nodes and start moving towards wrapping it all up.
... through the first season of Leverage, which was great fun. The pilot and the two-part season finale are some excellent television and the rest of the season didn't suck either. Good inspiration for a cyberpunk game. Parker and Hardison make me inordinately happy, too, and it's so very nice to have a show where I don't dislike any of the main characters.
... writing a story in the space of two weeks for a contest, in the hope that external deadlines will motivate me more than self-imposed ones and/or this story won't run into whatever it is the Bookwyrms one did. Already got a setting, a plot, and some events that are pulling the story in a completely different direction. Business as usual.
Is there a word or phrase for the kind of TV/movie SF that involves brightly-colored diaphanous robes and buildings made of featureless white stone with glowing crystals and control panels inside? Ray guns and blocky silver robots may be involved as well. It's not exactly atompunk / Raygun Gothic, or maybe it's a narrow subset of that aesthetic.
... making a habit of going on not-dates with women after they've said, for varied and excellent reasons, that they don't want to date me. (In other news, two! and it's not even Valentine's Day yet.) I'm mostly okay with this development. I've very much missed one-on-one conversations with people I trust other than
uilos.... laughing my fool head off, in a combination of admiration and self-recognition.
... very tired. Goodnight Gracie.