jazzfish: book and quill and keyboard and mouse (Media Log)
Stephan Pastis, Pearls Before Swine: Sgt. Piggy's Lonely Hearts Club Book

Collection of the first two Pearls books, with commentary by Pastis and the Sunday strips in color. Still one of the funniest strips around, and the commentary is pretty good too.



Neil Gaiman, Andy Kubert, et al, 1602

Neil writes Elizabethan-era Marvel comics. Hilarity ensues. "The four from the ship called Fantastic" were a nice touch, as were young Peter Parquagh's constant brushes with spider-bite. Captain America incarnated as a blond-haired blue-eyed Native American was a bit much, but it all ties together nicely in the end. I had fun with this one even knowing as little about the Marvelverse as I do.



Mark Waid, Barry Kitson, et al, Empire

A comic about life under the bad guy's rule. I remember bits of plot [the daughter, the betrayal] but not how it made me feel, and I have no strong desire to read it again. So I guess it didn't have much impact on me. Oh well.



Steven Brust, Agyar

Still the best book ever. On Steve's advice I watched for the phases of the moon and their correspondences with Jack's behavior this time. Nifty.



Susanna Clarke, three stories

Susanna's a wondrous writer with a flair for capturing the fun of nineteenth-century prose without the dullness. "The Duke of Wellington Misplaces His Horse" is a fun romp in Gaiman & Vess's Stardust world, and "The Ladies of Grace Adieu" introduces the inimitable Mr Jonathan Strange, about whom more later. The checkerboard story from the NYT whose name escapes me was less cool, but still a good story.



Susanna Clarke, Jonathan Strange & Mr. Norrell

What a wondrous book. Some of Childermass's actions at the beginning leave me a bit puzzled, but overall I can't think of anything I disliked about it. Except maybe for the fact that it ended. I especially appreciated the description of faeries as having much magic but little reason, as opposed to humans. And the occasional bits of very dry wit. "Mr Norrell, who knew that there were such things in the world as jokes as he had read about them in books, but who had never been introduced to a joke, nor shaken its hand . . ."

[Posted with hblogger 2.0 http://www.normsoft.com/hblogger/]
jazzfish: book and quill and keyboard and mouse (Media Log)
Steven Brust, P.J.F., The Viscount of Adrilankha
[consisting of The Paths of the Dead, The Lord of Castle Black, and Sethra Lavode]

I read PotD and LoCB when they first came out, and when people asked me how they were I said "I can't pass judgement on only part of a book." Now that SL is finally here I've read them all straight through.

Viscount rocks. On first reading, it's as good as Phoenix Guards was, the first time I read that lo these many years ago. It's huge and sprawling, it builds on the things that made Phoenix Guards and 500 Years After so cool [the voice, the characters, the action], it adds in new fun things like the Gods and Morrolan. Everyone's fate is resolved [at least, up through the Vladiad and beyond], and yes, I actually cried at a Certain Character's last scene. Wonderful, wonderful book.

As for the individual parts. . . I can't pass judgement on only part of a book.



Raphael Carter, The Fortunate Fall

My third time reading, and I think I actually understood almost everything that's going on in it this time. An incredibly dense cyberpunk novel, by a recent addition to the Scribblies, set in a futureworld that's so unlike our own I was utterly lost the first time I read the book. Though that didn't stop me from seeing the incredible sadness that Carter brings out. Not for those wanting a pleasant read. [I did not cry at the end of Fortunate Fall, because the pain and misery built so slowly that by the time it might have been appropriate my emotions had already passed that peak and were huddled up numbly, waiting for the end. So beautiful. . .]

Anyone with an interest in cyberpunk should read this book. Anyone with an interest in gender studies should also read this book, though the gender stuff's a bit more subtle than the cyberpunk.

"Oh, Andreyeva, you do not understand His Majesty at all. He does a thousand things that do no good. His-Majesty-In-Chains does not care what is effective, only what is right."



Tim Powers, Last Call

Nth reread. This was the first Powers I ever read, over Memorial Day weekend ten years ago to distract me from girl problems. Worked like a charm; I thought it was one of the best things I'd ever read. I hold it to a higher standard because of that, and so the flaws show through. The biggest one is the freakin' yooge cast of characters, too many of whom don't get developed at all (Neal Obstadt and Diana's boys are the worst of this lot). Even the major characters sometimes feel too flat; the four protagonists are fine, as is Georges, but nearly everyone else could've been better. (Especially Nardie and Ray-Joe.)

The plot's wonderfully intricate, and Powers writes well enough that the lack of characterization doesn't kill the story. It would have been nice, though. [Come to think of it, Anubis Gates was weak in that regard too. I think I need to reread my other Powers books (well, Stress of Her Regard and Declare, being the ones I own) and see if the characterization is weak in all of them.]

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Adventures in Mamboland

"Jazz Fish, a saxophone playing wanderer, finds himself in Mamboland at a critical phase in his life." --Howie Green, on his book Jazz Fish Zen

Yeah. That sounds about right.

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