jazzfish: book and quill and keyboard and mouse (Media Log)
Andy Diggle / Shawn Martinbrough, The Losers: Downtime

The Losers is an ongoing monthly comic about a Special Forces-type squad who've been betrayed and left for dead. Now they want revenge, and justice. In the first six issues they pulled off a rather tricky operation to retrieve a hard drive containing Important Data, the exact nature of which escapes me at this moment. "Downtime" is a two-issue story devoted to making the Losers a bit more human and interesting. The second of these works; the first, not as much.

Jensen the hacker gets the short end of the stick; about five pages out of the forty-eight, and two of those are devoted to a power-outage gag. Clay the leader has a lot of page time, but doesn't get much development, either. His scenes are mostly there to fill in some background on the Losers and what exactly it was that went wrong. Cougar the sniper remains an enigma, but between his nightmare and the Day of the Dead he's an intriguing one. Aisha the ass-kicking Arabic (?) chick amuses herself by looking in on some old friends from the first issue and then taking out a slave trader. Again not so much with actual development, but lots of good hooks. And Pooch. . . Pooch the driver gets more character than a stick can be shaken at. A wife and two kids, and a brother-in-law who doesn't trust him. He handles himself well. (His wife feels flat; I'm not sure I believe in her completely. Oh well.)

It's a good series despite Diggle's really bloody irritating habit of ending every issue on a cliffhanger. The art is non-bad as well. I'm happy, and curious to see where the story goes from here. And ultimately, that's all I can ask for.
jazzfish: book and quill and keyboard and mouse (Media Log)
Neil Gaiman, "The Monarch of the Glen"

I'd thought it would take me awhile to get into this story (it took two reads for me to really get into American Gods, after all) but right on page two Gaiman is making fun of either Texans or Scots. So, hey. It's an American Gods story, and (despite American Gods feeling like the end of the tale) it works pretty well. If I'd paid more attention over the summer I might even have picked up on some elements as fast as I should have, instead of waiting for them to be spelled out for me. Oh well.

Shadow's a much better character than I originally thought he was. I've said that before, but it bears reiteration.



Jerry Scott & Jim Borgman, Humongous Zits / Big Honkin' Zits / Zits: Supersized

Three treasuries, comprising the first six Zits collections. It's amusing, it's occasionally brilliant, it's got bits I relate to all to well and bits I don't. I prefer Foxtrot but Zits is still decent stuff. Beats the sappiness of For Better or Worse hands down. (And we've got several other Zits collections at work, giving me plenty to do during kiosk shifts.)

Hey, it's a comic strip. You want detailed character analysis? Go read someone's master's thesis on the subject. (Or maybe just Pearls Before Swine from the week of Christmas '03 if it's still in their web archives.)

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Adventures in Mamboland

"Jazz Fish, a saxophone playing wanderer, finds himself in Mamboland at a critical phase in his life." --Howie Green, on his book Jazz Fish Zen

Yeah. That sounds about right.

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